Candle lit from below. I think that I've succeeded here in creating a rich sense of darkness. When I was looking at Richard Hearns work at Easter, this was one of the elements I admired most, so I feel very pleased with this.
I decided that I would do a series of portraits over the mid term to try and consolidate the improvements that I have made through the still life drawings. This is a bit wobbley, but I do like the sense of light and dark and the way the right eye disappears into the darkness.
I was hoping to test the phrase, "If you take care of the lightest and darkest areas, everything else will take care of themselves" by working on a middle ground with an opaque medium.