This was supposed to be a simple line drawing, but I found it difficult to give a sense of the plant using only line, so I started adding more hatcing and detail, I became truly absorbed which was nice and I like the result.
This has got to be my least successful painting so far, I was trying to an Asian type method by dropping the ink in to create the tone, but it really hasn't worked well and lacks definition.
This wasn't particularly successful, the combination of the red object aginst a very close purple makes it blend together a bit and the light is far too prominent.
I think that Ive not quite succeeded in this drawing. I've gotten the proportions of the arms a little wrong and not quite fitted it on the page. I think I've gotten a good sense of the form through the tone.
This week Im challenging myself to draw a manikin in a variety of different positions and media. I'm hoping to gain a better understanding of the proportions of the body and the way that light falls on the body. I think I've been fairly successful in the dipiction of form and have given a sense of perspective.
I was trying to capture the deep rich black of the chair and the unusual flow the form. This was my last drawing of the week just using graphite and overall I think that I really have learned a lot and have succeeded in getting a richer deeper tone into my drawings.
I was trying to illustrate the idea of using a middle ground to make both the light tone and the dark tone pop out of the picture. I think this was a quite a successful drawing.
Chocolate Roll and Iced Donut, Graphite, 30 Minutes.
There are 2 very different tones and testures going on here, With the donut, I experimented with using an eraser to work back into the shading to give a sense of the sprinkles.
I decided to challenge myself this week by using only graphite. My main aim is to get a deeper, richer and more solid sense of form. I think I have started to achieve this in this drawing.
Natural lighting this time, I was trying to use very little on the light side and have my face dissolving into the light. I think I have succeeded in making it seem more ephemeral through keeping it light and loose.
In order to develop on the previous piece this time I had the light source coming from above. Its not as effective and I think this is due to the white background, I think if I add a wash to the background that the light areas will pop more and communicate the form better.
Candle lit from below. I think that I've succeeded here in creating a rich sense of darkness. When I was looking at Richard Hearns work at Easter, this was one of the elements I admired most, so I feel very pleased with this.
I decided that I would do a series of portraits over the mid term to try and consolidate the improvements that I have made through the still life drawings. This is a bit wobbley, but I do like the sense of light and dark and the way the right eye disappears into the darkness.
I was hoping to test the phrase, "If you take care of the lightest and darkest areas, everything else will take care of themselves" by working on a middle ground with an opaque medium.
After all the long drawings of still life objects, I wanted to challenge myself by taking on really quick drawings of moving subjects. These are the best drawings out of the set.